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The Sun Dog, by Stephen King
Download PDF The Sun Dog, by Stephen King
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Über den Autor und weitere Mitwirkende
Stephen King is the author of more than sixty books, all of them worldwide bestsellers. His recent work includes The Institute, Elevation, The Outsider, Sleeping Beauties (cowritten with his son Owen King), and the Bill Hodges trilogy, End of Watch, Finders Keepers, and Mr. Mercedes (an Edgar Award winner for Best Novel and an AT&T Audience Network original television series). His novel 11/22/63 was named a top ten book of 2011 by The New York Times Book Review and won the Los Angeles Times Book Prize for Mystery/Thriller. His epic works The Dark Tower and It are the basis for major motion pictures, with It now the highest grossing horror film of all time. He is the recipient of the 2018 PEN America Literary Service Award, the 2014 National Medal of Arts, and the 2003 National Book Foundation Medal for Distinguished Contribution to American Letters. He lives in Bangor, Maine, with his wife, novelist Tabitha King.
Leseprobe. Abdruck erfolgt mit freundlicher Genehmigung der Rechteinhaber. Alle Rechte vorbehalten.
The Sun Dog CHAPTER ONE September 15th was Kevin’s birthday, and he got exactly what he wanted: a Sun. The Kevin in question was Kevin Delevan, the birthday was his fifteenth, and the Sun was a Sun 660, a Polaroid camera which does everything for the novice photographer except make bologna sandwiches. There were other gifts, of course; his sister, Meg, gave him a pair of mittens she had knitted herself, there was ten dollars from his grandmother in Des Moines, and his Aunt Hilda sent—as she always did—a string tie with a horrible clasp. She had sent the first of these when Kevin was three, which meant he already had twelve unused string ties with horrible clasps in a drawer of his bureau, to which this would be added—lucky thirteen. He had never worn any of them but was not allowed to throw them away. Aunt Hilda lived in Portland. She had never come to one of Kevin’s or Meg’s birthday parties, but she might decide to do just that one of these years. God knew she could; Portland was only fifty miles south of Castle Rock. And suppose she did come . . . and asked to see Kevin in one of his other ties (or Meg in one of her other scarves, for that matter)? With some relatives, an excuse might do. Aunt Hilda, however, was different. Aunt Hilda presented a certain golden possibility at a point where two essential facts about her crossed: she was Rich, and she was Old. Someday, Kevin’s Mom was convinced, she might DO SOMETHING for Kevin and Meg. It was understood that the SOMETHING would probably come after Aunt Hilda finally kicked it, in the form of a clause in her will. In the meantime, it was thought wise to keep the horrible string ties and the equally horrible scarves. So this thirteenth string tie (on the clasp of which was a bird Kevin thought was a woodpecker) would join the others, and Kevin would write Aunt Hilda a thank-you note, not because his mother would insist on it and not because he thought or even cared that Aunt Hilda might DO SOMETHING for him and his kid sister someday, but because he was a generally thoughtful boy with good habits and no real vices. He thanked his family for all his gifts (his mother and father had, of course, supplied a number of lesser ones, although the Polaroid was clearly the centerpiece, and they were delighted with his delight), not forgetting to give Meg a kiss (she giggled and pretended to rub it off but her own delight was equally clear) and to tell her he was sure the mittens would come in handy on the ski team this winter—but most of his attention was reserved for the Polaroid box, and the extra film packs which had come with it. He was a good sport about the birthday cake and the ice cream, although it was clear he was itching to get at the camera and try it out. And as soon as he decently could, he did. That was when the trouble started. He read the instruction booklet as thoroughly as his eagerness to begin would allow, then loaded the camera while the family watched with anticipation and unacknowledged dread (for some reason, the gifts which seem the most wanted are the ones which so often don’t work). There was a little collective sigh—more puff than gust—when the camera obediently spat out the cardboard square on top of the film packet, just as the instruction booklet had promised it would. There were two small dots, one red and one green, separated by a zig-zag lightning-bolt on the housing of the camera. When Kevin loaded the camera, the red light came on. It stayed on for a couple of seconds. The family watched in silent fascination as the Sun 660 sniffed for light. Then the red light went out and the green light began to blink rapidly. “It’s ready,” Kevin said, in the same straining-to-be-off-hand-but-not-quite-making-it tone with which Neil Armstrong had reported his first step upon the surface of Luna. “Why don’t all you guys stand together?” “I hate having my picture taken!” Meg cried, covering her face with the theatrical anxiety and pleasure which only sub-teenage girls and really bad actresses can manage. “Come on, Meg,” Mr. Delevan said. “Don’t be a goose, Meg,” Mrs. Delevan said. Meg dropped her hands (and her objections), and the three of them stood at the end of the table with the diminished birthday cake in the foreground. Kevin looked through the viewfinder. “Squeeze a little closer to Meg, Mom,” he said, motioning with his left hand. “You too, Dad.” This time he motioned with his right. “You’re squishing me!” Meg said to her parents. Kevin put his finger on the button which would fire the camera, then remembered a briefly glimpsed note in the instructions about how easy it was to cut off your subjects’ heads in a photograph. Off with their heads, he thought, and it should have been funny, but for some reason he felt a little tingle at the base of his spine, gone and forgotten almost before it was noticed. He raised the camera a little. There. They were all in the frame. Good. “Okay!” he sang. “Smile and say Intercourse!” “Kevin!” his mother cried out. His father burst out laughing, and Meg screeched the sort of mad laughter not even bad actresses often essay; girls between the ages of ten and twelve own sole title to that particular laugh. Kevin pushed the button. The flashbulb, powered by the battery in the film pack, washed the room in a moment of righteous white light. It’s mine, Kevin thought, and it should have been the surpassing moment of his fifteenth birthday. Instead, the thought brought back that odd little tingle. It was more noticeable this time. The camera made a noise, something between a squeal and a whirr, a sound just a little beyond description but familiar enough to most people, just the same: the sound of a Polaroid camera squirting out what may not be art but what is often serviceable and almost always provides instant gratification. “Lemme see it!” Meg cried. “Hold your horses, muffin,” Mr. Delevan said. “They take a little time to develop.” Meg was staring at the stiff gray surface of what was not yet a photograph with the rapt attention of a woman gazing into a crystal ball. The rest of the family gathered around, and there was that same feeling of anxiety which had attended the ceremony of Loading the Camera: still life of the American Family waiting to let out its breath. Kevin felt a terrible tenseness stealing into his muscles, and this time there was no question of ignoring it. He could not explain it . . . but it was there. He could not seem to take his eyes from that solid gray square within the white frame which would form the borders of the photograph. “I think I see me!” Meg cried brightly. Then, a moment later: “No. I guess I don’t. I think I see—” They watched in utter silence as the gray cleared, as the mists are reputed to do in a seer’s crystal when the vibrations or feelings or whatever they are are right, and the picture became visible to them. Mr. Delevan was the first to break the silence. “What is this?” he asked no one in particular. “Some kind of joke?” Kevin had absently put the camera down rather too close to the edge of the table in order to watch the picture develop. Meg saw what the picture was and took a single step away. The expression on her face was neither fright nor awe but...
Produktinformation
Taschenbuch: 208 Seiten
Verlag: Scribner (4. Dezember 2018)
Sprache: Englisch
ISBN-10: 1982115424
ISBN-13: 978-1982115425
Größe und/oder Gewicht:
14 x 1,5 x 21,3 cm
Durchschnittliche Kundenbewertung:
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Amazon Bestseller-Rang:
Nr. 37.242 in Fremdsprachige Bücher (Siehe Top 100 in Fremdsprachige Bücher)
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